The Best Mic For Snare Bottom of January: Reviews & Buyers Guide

Here are our top picks! Read our helpful reviews and determine which products are worth buying!

Today's Deals

Best Seller: Shure SM7B Vocal Dynamic Microphone

Pros:

1. Versatility: The SM7B is a universal, multi-purpose microphone for studio recording, home recording and more.

2. Quality Sounding Vocals And Instruments: For acoustic recordings with vocals or solo instruments to almost any type of podcasting or streaming use imaginable - the SM7B has what you need in one high quality package!

Cons:

1. Low Volume Output: While on one hand, SM7B comes with a low self-noise level which makes it an excellent choice for recording vocals and podcasts in quiet environments; on the other hand it doesn't produce high volume output levels as well because it has to contend with vocals only!

Best Saving: Shure Drum Microphone Kit

Pros:

1. Durability: The microphone is made from steel, glass-filled nylon and other sturdy materials that ensure its durability for many years to come.

2. Versatility: Whether you're after a natural sound or something with more bite, the microphone can be adjusted quickly and easily without any tools required by simply twisting the integrated ball joint into one of seven positions in order to optimise your sound needs on various acoustic instruments. 

Cons:

1. SM57 is not a high-end mic: As one of the industry standards for snare drum, Shure's cardioid dynamic SM57 microphone has become an iconic favorite over the years. However, it doesn't have some of the advanced features possessed by more expensive microphones such as this Sennheiser MKH416 or Neumann KMR81i.

Best Choice: Sennheiser Professional E 604 Compact Dynamic Cardioid Instrument Microphone

Pros:

1. Clear, Balanced Sound: The gold-sputtered capsule and the low-mass diaphragm produce a high signal to noise ratio while giving you a balanced sound of your instrument that’s comparable to what you would get from an expensive studio condenser microphone

2. Robust Frequency Response - Subsonic frequencies down to 15 Hz and ultrasonic frequencies up to 50 kHz are accurately reproduced with no audible distortion

Cons:

1. Modulation: Since the signal is unbalanced, one of the potential cons would be that it might pick up some unwanted modulation or hum at times.

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